If someone would ask us to think about food, what pops into our minds is probably something linked to the moment of eating–either the pleasure of sharing a meal, or simply something that allows us to subsist. Food is something we put into our body every day, but even if we perhaps don’t realize it, our relationship with it goes way beyond just being a need or the mere action of eating. As the new exhibition 'Food: Bigger than the Plate' at the V&A in London, co-curated by Catherine Flood and May Rosenthal Sloan aims to prove, "What we eat is one of the most important decisions we make every day." Are we aware of what we are inserting into our bodies, where it is coming from and the implications of our consumption?
Design students from Berlin and Copenhagen invite to the table at Schloss Pillnitz, where they are exhibiting their innovative centrepieces designed to evoke dialogue.
The Dutch Institute of Food & Design is opening a new interactive design exhibition on the future of food, presented by the Dutch Embassy in Canada. Called "Edible Futures," it will debut in Ottawa, Canada this week, on the 27th of April. The exhibition will continue to travel to Vancouver in September and Toronto in January. Visitors will be actively involved from the moment they walk in, when they are asked to choose the role of 'consumer,' or that of 'producer.' Each role is accompanied by an audio story that adds a second layer of reality to the experience of walking through the exhibit.
At this years' Dutch Design Week 2018, The DIFD was present with an exhibition about a very important - invisible - part of food: microbes. Around 6000 visitors visited the contributions of designers working with food and eating: Anthroponix, Hannerie Visser (Studio H), Olivia Ioannou, Roza Janusz, Ina Turinsky en Andreas Wagner, Julia Schwarz, The Eatelier, students of Design Academy Eindhoven's Food Non Food department together with Tom Loois and Maria Apud Bell. Here is an overview of all the projects exhibited and their microbial concepts as well as an interview with the curator of the exhibition: Marije Vogelzang.
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